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10/26/20241 min read
starts with a script...
or not!
Board-driven series
Boarding episodes in board-drive way for Pocoyó S5 has been one of the best experiences of all my professional career, no doubt.
Getting the treatment and working closely with directors (Alfonso Rodriguez & Paulo Mosca in this case), at board-drive shows the story builds itself through the storyboard, until having the animatic with the final touch of the scriptwriters.
I must admit that I laughed a lot, recording myself the radioplay reference for the episodes, playing to being Narrator, Pato and the rest of the gang. And viewing the final animated episodes with the real voice actors and so.. I can't be happier to have been part of this season.
Traditional boards
On the other hand, I'm near to 30y storyboarding in the regular way, from a script, and I liked as by the 1st day
Getting the script and working closely with the episodic or film director is less crazy than board-drive way. But sometimes it can be exciting too.
A great point of this way is that usually we board artists receive the voice actors radioplay before starting the boards. That helps a lot to get a closer idea of how the piece will be just by listening to the tone of the actors.
Sometimes you have lots of freedom to add gags, ideas and whatever.
This was the case of SuperBernard, the Movie. I worked closely with Toni Garcia, the director of the film, building the full storyboard from the first thumbs by Paco Saez.
Gloria Caballé worked with me on the boards, and we had almost total freedom to change things, add gags and work really comfy with the team.
The case of...
